摘要
深入分析蒙古族摔跤竞技比赛中所穿“罩达格”的功能设计,探讨其制作工艺、形制特征、设计价值等方面的文化内涵。以田野考察为基础,对“罩达格”制作工艺、形制特征、设计价值与文化意涵等方面进行解读,阐释其穿着形式中“模仿”与“竞技”的互动关系,以此对罩达格造物观念进行深入剖析,旨在对蒙古族服饰研究提供不同的思考路径与价值参考。罩达格不讲求衣着蔽体,在制作工艺、款式形制与穿着形式等方面区别于蒙古族传统袍服类服饰,多以摔跤竞技时保护身体不受伤害为考量。其中蕴藏着模拟动物竞技的物象崇拜特征,体现出人与自然和谐共生的造物观念与设计智慧。
This study delves into the functional design of the"Houdage"worn in Mongolian wrestling competitions,so as to explore its craftsmanship,structural features,design value,and cultural connotations.Based on field investigation,the study interprets the craftsmanship,structural characteristics,design value,and cultural significance of the"Houdage,"and analyzes the interactive relationship between"mimicry"and"competition"in its form of wear,aiming to provide a new perspective and valuable reference for the study of Mongolian clothing.Unlike traditional Mongolian robes in terms of craftsmanship,styles,shapes,and wearing forms,the"Houdage"is not designed for full body coverage,but focuses on protecting the body during wrestling.It embodies the worship of animal-like forms in competition and reflects the concept of harmonious coexistence between humans and nature,showcasing unique design wisdom.
作者
木斯
王思琴
王琛
MU Si;WANG Siqin;WANG Chen(School of Design,Inner Mongolia Normal University,Hohhot 010022,China;School of Fashion Art and Engineering,Beijing Institute of Fashion Technology,Beijing 100029,China)
出处
《工业工程设计》
2025年第1期13-20,共8页
INDUSTRIAL&ENGINEERING DESIGN
基金
内蒙古师范大学引进高层次人才科研启动金专项资金资助项目(2025YJRC026)。
关键词
蒙古族
罩达格
自然崇拜
造物智慧
文化内涵
Mongolian ethnic group
Houdage
nature worship
creation wisdom
cultural connotations
