摘要
采莲是风靡江南的农事、民俗活动 ,采莲民歌产生于采莲过程中。南朝中 ,文人拟作《采莲曲》大量出现 ,采莲从民歌走向文学 ,成为当时文学中常见的题材、意象。南朝《采莲曲》最终沦为宫体诗 ,经过王勃、贺知章、李白等唐代作家的扭转、发展 ,采莲歌曲恢复民间本色 ,焕发生机 ,具有丰富的内涵。
Lotus-gathering is an agricultural and folk activity popular in regions south of the Yangtse River, and folk songs on lotus-gathering come into being in the course of gathering lotus itself. Lotus-gathering Melodies imitated by men of letters sprout up in abundance in the South Dynasty, and lotus-gathering finds its way from folk songs into literature, and become a constant motif and image in literary works of the day. The Melodies of the South Dynasty are eventually reduced to a court style, and only after the remedy and development efforts by such Tang writers as Wang Bo, He Zhizhang, Li Bai, and others are they restored of their folk nature, vitality,and rich connotations. And lotus-gathering has in the meantime developed from a relatively pure image to a multi-symbolic motif.
出处
《南京师范大学文学院学报》
2002年第4期7-16,共10页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
江苏省哲学社会科学"十五"规划基金项目"中国花卉题材文学与花卉审美文化研究"(J3- 0 4 4)
关键词
《采莲曲》
民歌
文学
意象
母题
Song of lotus-gathering, folk song, literature, image, motif
