摘要
神话是人与自然对话的第一个范式 ,它的发生来源于自然崇拜。继神话范式以后 ,人与自然对话的第二个范式是哲学。哲学从神话中提升经历了两个根本性的转变 ,一是它消除了神灵信仰造成的误区 ,以经验关心宇宙的本原 ;二是它把探索宇宙本原的重心转移到人的方面。人与自然对话的第三个范式是艺术范式。艺术范式诞生于神话与哲学的母体之中 ,神话与哲学分别以形象思维与逻辑思维为起点 ,这两种方式贯穿于思维活动的始终 。
The first mode of the conversation between human and nature is myth that originated from the worship to nature. The second mode is philosophy, which has passed two radical changes during the elevation from myth. One is to pay attention to the origination of universe with experiences instead of eliminating the mistake made by the belief of gods; the other is to shift its attention from exploring universal origination onto the aspect of human. The last mode is art, which was born in the matrix of myth and philosophy. Myth and philosophy regard image thought and logical thought as their own starting points. The two ways penetrate the whole course of the activity of thought and foster directly the human artistic creation.
出处
《南京工业大学学报（社会科学版）》
2003年第1期13-21,共9页
Journal of Nanjing Tech University：Social Science Edition
关键词
人与自然
对话
范式
神话型
哲学型
艺术型
human and nature
conversation
mode
mode of myth
mode of philosophy
mode of art
