摘要
20世纪汉语声调的理论研究经历了四个时期 :(1)声调是音节内有辨义作用的一种相对音高的理论研究 ;(2 )声调是音位的理论之争 ;(3)声调的自主音段说 ;(4 )声调的优选论研究。音高说是声调自然属性的理论 ,音位说是声调语言属性的理论 ,自主音段说是声调与音段关系及声调生成的理论 。
This paper presents a critical review of theoretical research on Chinese tone carried out in the 20century. Four major themes emerge prominently from the literature. Firstly, tone was held as a relative pitch. Secondly, pitch was debated over its status as a phoneme or non-phoneme. Thirdly, tone was studied in terms of auto-segmental phonology. Fourthly, tone was examined in the framework of the Optimality Theory.
出处
《当代语言学》
CSSCI
北大核心
2004年第1期45-56,共12页
Contemporary Linguistics
基金
南京师范大学科研启动资金的资助
